Music

Hold Everything Dear

€15.00 + p&p

Vinyl LP (includes digital download)

Recorded between 1999 and 2018 at Softsleeper, Westland, Asylum, Buddahbug (Harlem), Guerrilla Sound and Bow Lane Dublin

Produced by Daragh McCarthy

Recording, programming, mixing Liam Mulvaney

Executive producer TIGERROC

Mastered by Harvey Birrell

Sleeve design: Daragh McCarthy & Peter Maybury 

“Highly collectable and more relevant every day”

Underground

€5 + p&p

Very limited CD release 2015

Recorded 2015

Voice and instrumentation: Daragh McCarthy

Drums: Peter Maybury

Guitar: Liam Mulvaney

Viola: Clara Grimes

Solo Female Voice: Sadhbh Ni Floinn

 

Shape Note Voices: Cork Sacred Harp

Sadhbh Ni Floinn, Robert Wedgbury & Lisa O’Grady

Shape Note written by: Sadhbh Ni Floinn

 

Mixed and Mastered by: Liam Mulvaney at Bow Lane Studios Dublin 

“I came across the work of author Emer Martin in a copy of Stinging Fly magazine that a friend left in my flat on a winter evening in 2011.

Leafing through the contents I was struck by the title “going underground” in the novel extracts section as I had previously made a film about the Dublin punk rock scene of the 90s called “The Stars Are Underground”.

Reading the character’s monologue in my kitchen I realised I was speaking it out loud, caught up in the rhythm. The words were an anger cheat-sheet; a dark history lesson. I decided to put it to music ”

Hold Everything Dear dupe

€5 + p&p

Very limited CD release 2015

Recorded 2015

Voice and instrumentation: Daragh McCarthy

Drums: Peter Maybury

Guitar: Liam Mulvaney

Viola: Clara Grimes

Solo Female Voice: Sadhbh Ni Floinn

 

Shape Note Voices: Cork Sacred Harp

Sadhbh Ni Floinn, Robert Wedgbury & Lisa O’Grady

Shape Note written by: Sadhbh Ni Floinn

 

Mixed and Mastered by: Liam Mulvaney at Bow Lane Studios Dublin 

“I came across the work of author Emer Martin in a copy of Stinging Fly magazine that a friend left in my flat on a winter evening in 2011.

Leafing through the contents I was struck by the title “going underground” in the novel extracts section as I had previously made a film about the Dublin punk rock scene of the 90s called “The Stars Are Underground”.

Reading the character’s monologue in my kitchen I realised I was speaking it out loud, caught up in the rhythm. The words were an anger cheat-sheet; a dark history lesson. I decided to put it to music ”